Before Z, there were other loves. Z and I do not speak their names because he is a jealous husband in the best kind of way, and though I am perhaps more curious, he knows at heart that I am wickedly jealous myself. He is a Scorpio (“jealous” being one of the main descriptors in your better astrology books) and I have a Scorpio Rising and a Scorpio Moon (“double jealous,” I guess), so it is an arrangement—burying our heads ostrich-style to the pre- Beth & Z past—that works well for us. It probably works best for me because Z does not write personal essays or keep a blog where he occasionally feels an urge to mention some former object of his affection. He is also not confessional by nature, whereas I, well…you’ve read me. I might not tell you all my details over lunch, but somewhere, they are being typed into an essay or post.
There is one photo of him going to a formal dance in high school with, he tells me, “a family friend”, and I’ll admit it, I hate that girl whenever I see that photo. She’s probably a lovely person and could now, easily be my daughter, but I can’t help myself. (Frankly, when he tells the story about the six-year-old twins who used to fight over who got to carry his school bag when he was in first grade, I don’t much like them either.) So I’m not really sure how Z handles it when I accidentally mention an apartment in Chicago I used to frequent in my twenties where my art-student boyfriend lived or how Z felt the night we watched a documentary about the famous-ish brother of my high school boyfriend, and there, in the middle of the show, said boyfriend appears looking uncomfortable in front of the camera, staring through dark sunglasses right into our living room.
But this is all old news. Z and I are all about being in the present moment, and the present moment has Ireland on the horizon. As Z and I board the ferry in Holyhead and the horn sounds as our three-and-a-half-hour journey across the Irish Sea commences, I have butterflies in my stomach. My palms are sweaty. I get ratty with Z while we try to find the Club Class area that we paid extra for so we’d have free wi-fi and complimentary snacks. Z looks at me bewildered. We’ve had a lovely trip so far in England and Wales with none of the tiffs or dramas other couples might expect, and we’re about to start the last two-week leg of it—the part certain to be the best from my Irish-American perspective—and I’ve turned into a shrew. I bark at him as he (ineptly, I think) reads the ship map to try to locate this Brigadoon of spaces on the ferry, a place no elevator nor staircase seems to want to take us. I stomp around. Roll my eyes. Huff. We can’t get to Ireland fast enough and somehow it seems he is impeding our progress, even though he is not piloting the ferry. In the end, his “inept” reading is correct and he ushers me into the quiet, sparsely populated club room, and we settle into a comfy booth at the front where a vast bank of windows gives the impression that we are at the world’s best drive-in movie. I take a few deep breaths. It doesn’t take long into our three-and-a-half hour journey before a grey silhouette of Ireland comes into view. My eyes fill.
I met Ireland for the first time when I was 32. My college friend, Anaïs, and I booked a week there without knowing much about it other than we both had some vague family ties there, both listened to U2 and Sinéad O’Connor, and had read Ulysses together in a college Modernism class, taught by a bore of professor who refused to let us read any female writers because he didn’t believe any women had written anything worthy of being studied. We also both liked the idea of Guinness. At the time, I’d recently begun writing letters to my paternal grandfather’s first cousins in County Galway who farmed the land where my great grandmother grew up, and the only real itinerary Anaïs and I had, other than a vague plan to go to Dublin and Belfast–the only names on the map we really knew–was to get ourselves to Galway to meet my kin.
I don’t know when I fell in love with the place exactly—whether it was love at first sight or if it took a couple of days, the whole week. Nor do I remember the catalyst: did the light hit it just right when we were riding on a bumpy bus through Connemara or was it the smell of my first peat fire or the sound of the voices? Regardless, I fell deeply, madly in love with the place. I’d spent the whole of my adult life thinking what was missing was the perfect boyfriend or an acclaimed writing career, but what had actually been missing was an entire country where for whatever reason, I felt most myself. On that first visit, I stood in the ivy-covered quadrangle at the national university in Galway and vowed that I’d take classes there, and two years later, I did: studying Irish poetry, scribbling some halting poems of my own, but mostly, loving Ireland up. Two years after that, I brought my half-brother over to celebrate his 21st birthday, then my mother, then I attended a writing workshop at a haunted castle, a spring break with my friend Belle, and so on.
I was hooked, body and soul. I studied the history, read the literature, taught classes on it, carried Edna O’Brien’s suitcase through the Denver airport after an Irish-themed writing festival in Aspen and thought—all the while trying to make clever conversation with her—“this suitcase is going to Ireland”(only it wasn’t: Edna O’Brien lives in London). The only way I could talk about Ireland was with the over-exuberant language of the infatuated, which shamed me because it made me seem like just another American with an idea of Ireland in her mind (leprechauns and rainbows and Aran knit sweaters) who could just as easily be talking about any vacation destination. Like a teenager whose parents believe she just has a crush, I wanted to stamp my foot and shout, but you don’t understand—this is real! Even so, if I heard a commercial for the Irish tourism board come on, I stopped what I was doing and stared at the television, haunted that it was playing “our” song by the Cranberries. I listened to heart-wrenching Celtic music and wept for no real reason. I refused to wear any perfume but the sweet Irish lavender I special ordered, and every day when I dabbed it on, I’d be transported to what felt like the life I should have been living.
As Z and I watch Ireland get closer—stuffing our faces full of free fruit, muffins, and Jacobson’s crackers—I am conflicted. On the one hand, I cannot wait to be reunited with my beloved. On the other, Z is my beloved now, and I am afraid he will not share my affection, will not like the idea of Ireland as a sort of sister-wife in our marriage, afraid he will point out all the ways it is sub-par (the showers are almost always more complicated than they need to be for starters), afraid he’ll see me differently after meeting the place: who is this woman with the irrational obsession with a somewhat grey and rainy landscape?
And also, my last tryst with Ireland was not my best. Six months before Z and I got married, I spent a summer residency for my MFA program in Dingle. I was without my normal klatch of friends and with, instead, a group of people I didn’t know. I’d just said goodbye to Z for the entire summer, and I was so homesick for him that every morning in the half-light before workshops started, I’d walk half a mile to a phone box to call him in Zimbabwe for a few minutes just to help me get through the day. Furthermore, though I kept it to myself, I was having issues with shortness of breath and vague chest pains that I now know from a slightly disgruntled nurse were not “mini heart attacks” but panic attacks about the impending nuptials and move across country. In other words, I was not fully present for Ireland, and Ireland knew it. After the residency, I met my cousin and her daughter at the Shannon Airport to introduce them to the country I loved, but something was off. None of us were as bouncy and excited as I imagined we’d be, swilling Guinness at trad sessions, traipsing through monastery ruins, standing over the bones of our great great grandpeople. We were glad to be together, but we all had our own internal wars being waged though on the surface, all was well.
I was relieved to get back to America after that last trip, and I don’t even remember saying a proper goodbye to Ireland or any promises to return soon. The best I can compare it to is a romance that you know is faltering and you aren’t sure if it is worth fighting for or if it should just become a shoebox full of memories. Maybe my time with Ireland was over. Maybe my head had been turned too much by Z, by the mystery of Zimbabwe that was now on my radar.
As Dublin gets closer, Z squints and says, “But where are all the buildings?” A week ago, we were in London with a skyline so bizarre and full of both tall buildings and cranes making more tall buildings, that Dublin’s low-to-the-ground profile must be a surprise to him, and I feel instantly defensive of it, but also disappointed that it is disappointing him before we’ve even landed. The only thing we can really see are the twin smokestacks of the Poolbeg power station, but already my brain is seeing the Liffey as it moves through the docklands and goes under O’Connell Street, the country as it stretches west towards the place that is always my destination: Connemara. My gut clenches. If Z is disappointed before we’ve gotten off the ferry, how is he going to feel about the rural bits I love where there is nothing much but sheep, rocks, a pub, and the random “Up Galway” banner? I send a sort of prayer across the remaining expanse of water directly to Ireland: Please be good to Z, I implore. I need for him to love you a little. For me, that is what is on the line here: if we have a bad time, if Z does not take a fancy to Ireland, this could conceivably be my last trip to a place that has felt like my heart’s home for nearly twenty years.
When the ferry docks, it takes forever for us to be let us off the ship, and the anticipation and anxiety builds. Finally, we work our way through customs, as usual, a process that is quicker for me with my U.S. passport than it is for Z with his Zimbabwean one but even so, within fifteen minutes we’ve gotten our passports stamped, our luggage collected, and a taxi hailed. I sit forward and peer out the window, like some kind of over-eager Labrador retriever. As the cab moves through the docklands, I look for the spot where ten years ago Mom and I walked in the dark of the night with a Swedish woman we’d just met to U2’s recording studio; this unlikely trio of groupies stood outside until nearly midnight, hoping to get a look at the band. We heard them recording songs for the next album, saw Bono’s wife drop someone off (not Bono), and caught a glimpse of the top of Edge’s knit cap when he stuck his hat out the door, but that was the extent of that night’s adventure. Now, the docklands look quite different. They seem more vertical than the last time I was here, less tatty. As we move into the city center, I have to ask the cabbie the name of the two new bridges that are crossing the Liffey: one, the Samuel Beckett Bridge, which is lovely in that it looks like a harp but strikes me as something a little too Irish for Beckett himself to approve of, and the Rosie Hackett Bridge, which is named for the founder of the Irish Women Workers Union and which pleases me more even though the bridge itself is no work of art. Z peers out the window; it’s all new to him.
I ask the cabbie, “What else has changed in Dublin in the last six years?” (How can six years have passed since I was here?). He sighs at the traffic jam we’re tangled in because the semi-final for the Gaelic football game just ended in a draw—fans pour into the street, most wearing Dublin’s light blue, but a few in the red and green jerseys of Mayo, both sides celebrating, sure their team will win the re-match in a week—and he chuckles, “Nothing much.” The Angelus bells start to play on the radio, which he turns up and we sit quietly there in traffic, penitently waiting as each bell strikes, despite the cacophony outside the cab as the revelers revel. After the last bell chimes, he turns the radio back down and explains that he’s going a roundabout way to our hotel to try to get through the crowd, and it pleases me that I am familiar enough with this little hunk of the city to know he’s not padding the fair and is getting us there as best he can.
Our hotel sits on Bachelor’s Row, just across from the River Liffey, and the city tugs at me before we’ve ever checked into our hotel. In the mere day and a half we have in Dublin, I’ll drag Z to my favorite spots—touristy, all, but I will be an unapologetic guide. I march him up to the General Post Office (GPO) and force him to admire the bullet holes still in the façade from the 1916 Easter Uprising that—in an overly simplified blog-sized history lesson—was the beginning of the Irish Republic. (Think July 4, 1776 in Philadelphia, only with gunfire and men shortly to become martyrs for the cause of independence.) I never come to Dublin without buying stamps here, even though there’s now a machine outside built into the building façade where you can make your purchases. I like being inside, imagine the noise and the barricades and the smoke and people willing to die for a little freedom.
From there, we head to Trinity College, another of my regular pilgrimages. The campus is beautiful—a walled respite in the heart of the city—but the real reason I’m there is to see the 800 A.D. illustrated gospels depicted in the Book of Kells on display there. Every day, a page is turned, so though I’ve seen the scrolled letters and intricate knotwork that decorate it six or so times, I’m always seeing something different. What is always the same, however, is the disorganized crowd of people around it, all jockeying for a prime spot right in front of it. It’s a frustrating labor of love when it’s just me, but because Z is here, I want to push people out of the way so he can have a few precious minutes admiring the craftsmanship. Finally we, push our way into position and refuse to give up ground until we’re satisfied that we’ve properly admired it.
My annoyance with tourists around me (always “they” are tourists, whereas I see myself as having some divine right to be there) disappears as we climb the stairs that spill us out into the Long Room of the Old Library. It smells of books and knowledge and mysteries unsolved. Though it takes my breath away, I normally walk through it quickly after a few cursory photos that simply cannot capture the vastness or atmosphere of the place because I am gift-shop bound. But on this trip, Z and I are not in the market for trinkets, so we linger over each case, read the placards hanging up for the display about myth and folk tale through the ages. We sit on a bench and soak it all in, and it is, no contest, my best ever visit to this library because I am just there and not anticipating our next move or the Book of Kells tea towels and key rings calling out to be purchased downstairs.
We do the other things you do when in Dublin: we wander down Grafton Street, which is a shopping area where buskers are often attracting attention with their songs or puppet shows; we try to pick our favorite of the distinctive Georgian doors on the townhouses that surround St. Stephen’s Green; we meander through both St. Stephen’s Green and Iveagh Gardens in the rain, exclaiming about the beauty, the dampness, the half-breed Scottish terrier that defies description in that it is equal parts cute and hideous. In Iveagh Gardens, we traipse around a hedge maze, though the hedges have not yet grown much higher than our knees, and we are perplexed when we get to the center and find a sundial, which seems a useless thing to have in a shady park in a climate that tends toward cloud. We search for an ATM that isn’t opposed to Z’s bank card to no avail, and then briefly wonder what the rest of our trip might look like without cash in hand. I convince him—as I have convinced others—that’s there’s really no need to go to the Guinness Storehouse because it’s gotten too chic and sophisticated since my first visit, when it still felt kitschy. We eat Mexican, Italian, and a full Irish breakfast. We saunter around the Liffey, stand at the peak of Ha’penny Bridge and watch the night lights dance on the water.
Both nights there, I drag Z through Temple Bar looking for the Ireland v. Zimbabwe rugby poster I had seen in a pub there in 2003 that felt cosmically placed specifically so I’d remain focused on him despite the fact that my confession of love had fallen on his somewhat clogged ears just a month before. I had visions of taking a photo of 2015 Z standing next to the poster as a sort of triumphant conclusion to my earlier, more forlorn and very single trip, but alas, the poster is nowhere to be found lo these twelve years later, and though the most likely reasons are the pub in question has redecorated or I had taken too much drink the night I saw it because it was my half brother’s 21st birthday and only ever imagined it, I’m convinced it was one of those weird synchronicities that only Ireland delivers where you see the thing or meet the person or hear the bit of information that you most need at that very moment. And certainly that poster and a few other of these mystical occurrences on that 2003 trip kept me hot on Z’s trail even though he’d tried to gently put the kibosh on my love.
I regret that we have budgeted only two nights in Dublin. Though Z has professed to like Ireland, I hear an unsaid “so far” in his voice that worries me. As me make our way to Heuston Station with our mountain of luggage so we can head to the western edge of this country I love, I begin to worry again. What if after Dublin, the rest of Ireland will pale in comparison? What if he doesn’t fall in love with Galway’s twisted streets and Spanish Arch and raging Corrib River? What if he sees Connemara as a rocky sort of wasteland? What if he doesn’t like my cousins? What if, what if, what if…?
Like the ferry ride two days before, as the train lumbers through the Midlands towards Galway, my anticipation of arriving in my favorite bit of Ireland begins to override my fear that Z will not fall in love. My throat constricts as soon as we are out of the city and the countryside and villages speed past the window. As the fences surrounding the rolling pastures begin to change from wire to stone, as the sheep become more plentiful, as the train stops are names more familiar to me: Ballinasloe, Attymon, Athenry, it seems likely that I will come unhinged with excitement. I will never understand why Ireland affects me this way, and still does after all of these years, but I am glad for it. I want Z to love this place as much as I do, but as we pull alongside the estuary that spills into Galway Bay, I begin to believe that even if he hates it—and why would he anyhow?—my ardor hasn’t dampened. It is still mine and I can love it enough for the pair of us.
When will these lovely stories become a book that I can pull from my shelf any time I miss you?
As soon as you find me a publisher?